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Winner of the 1998 Pulitzer Prize, Paula Vogel's How I Learned to Drive has first London revival at Southwark Playhouse this February.
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Fun, feisty and refreshingly feminist, Almodóvar's film fizzes on stage, but some of the hysteria and heartbreak feels a little hollow, writes Lucy Brooks
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All that glitters in Shakespeare's most controversial comedy sparkles on the Almeida stage as Rupert Goold's boldly updated production illuminates both humour and tragedy.
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It's man against the machine this winter as bold boundary-breaking theatre company 1927 satirise technology in a spectacular family show.
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REVIEW: A bold choice for the National Theatre: '3 Winters' shines a light on recent Croatian history- and Culture Whisper members have an exclusive discount.
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EDITOR'S PICK: Brand new at the National Theatre, David Hare's 'Behind the Beautiful Forevers' is a technical marvel with a great deal of bite, says Ella Cory-Wright