2022 promises to be a bumper year for dance. Here are some of the shows we're looking forward to
The year starts with ENB director Tamara Rojo's Raymonda, her first ballet as a choreographer, which transposes the eponymous Russian classic from the early Middle Ages to the Crimea war. It's inspired by Florence Nightingale.
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Genre-bending troupe Gandini Juggling kicks off the London International Mime Festival with its new work Life, an homage to the American giant of contemporary dance, Merce Cunningham.
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Mark Bruce's work is never less than thrilling, and so much is expected from his new triple bill Phantoms, which will again take the Mark Bruce Company to the perfect setting of Wilton's Music Hall.
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Acosta Danza, the dynamic young company set up by the Cuban ballet superstar Carlos Acosta, returns to London with a programme of works old and new that showcases the sheer brilliance of these dancers.
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Fears that Covid-19 and its prolonged lockdowns had killed BalletBoyz were dispelled with the announcement that this exciting all-male company was returning from the dead with new personnel and a reprise of its exciting programme Deluxe.
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The Royal Ballet's sumptuous production of possibly the world's best-loved ballet, Swan Lake, returns to Covent Garden for an extended run with a variety of exciting casts.
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Christopher Wheeldon's much-anticipated new full-length ballet, Like Water for Chocolate, is an adaptation of an involving story of thwarted love and obsessive cooking in 1900s Mexico.
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Postponed from last year, Matthew Bourne's raunchy The Car Man is scheduled finally to come to the Royal Albert Hall in the summer, in a brand-new production that adapts this radical remake of Carmen to the vast space of the West London house.
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