Il Barbiere di Siviglia, Glyndebourne
A welcome return of the stylish and genuinely funny production of Rossini's sparkling comedy, where youthful love triumphs over jealous old age
The hilarious music lesson scene in Il Barbiere di Siviglia at Glyndebourne
One of the happiest operas in his repertoire is Rossini's Il Barbiere di Siviglia, in which love triumphs and mean-spiritedness is thwarted.
Annabel Arden’s attractive and stylised production, first staged in 2016, returns this season with a truly international cast, and is sure of a warm welcome.
The Italian baritone Alessandro Corbelli will be in his element again as the lascivious Dr Bartolo, with much-loved mezzo-soprano Janis Kelly also returning, as his long-suffering housekeeper Berta.
Singing Rosina, the over-protected ward of Dr Bartolo, who wants her for himself, is the South Korean soprano Hyesang Park. Moldovan baritone Andrey Zhilikovsky sings Figaro, the cunning barber-surgeon who finds a way for Rosina to escape.
South African tenor and winner 2017 of a prestigious Operalia prize, Levy Sekgapane, makes his Glyndebourne debut as Rosina's suitor Count Almaviva – the eligible young aristocrat disguised as a poor student.
Soprano Hyesang Park, Glyndebourne's new Rosina, in recital
Il Barbiere di Siviglia is based on Beaumarchais' 1775 comedy Le Barbier de Séville, and the 1816 première of Rossini's opera (under a different title) at the Teatro Argentina in Rome went down as one of the great disasters in musical history. There were several on-stage accidents, in this fast-moving piece, and the musicians were at full stretch keeping up with the score. Furthermore, another rival composer's claque jeered as part of a battle between Rossini's production and one of his own works.
There will be no such problems at Glyndebourne this summer. With this starry lineup, the Glyndebourne Chorus, and the London Philharmonic Orchestra under conductor Rafael Payare, a sparkling evening is assured.
Packed with virtuoso arias and ensemble numbers, Il Barbiere contains one of the funniest scenes in all opera – the music lesson given by Almaviva in disguise, in which he woos Rosina under the nose of her suspicious guardian. And embracing the opera’s Commedia dell’arte origins, Arden’s production exudes Spanish colour and warmth.
'Il Barbiere di Siviglia' is sung in Italian with English surtitles. Public booking opens at 6PM, Sunday 3 March
Annabel Arden’s attractive and stylised production, first staged in 2016, returns this season with a truly international cast, and is sure of a warm welcome.
The Italian baritone Alessandro Corbelli will be in his element again as the lascivious Dr Bartolo, with much-loved mezzo-soprano Janis Kelly also returning, as his long-suffering housekeeper Berta.
Singing Rosina, the over-protected ward of Dr Bartolo, who wants her for himself, is the South Korean soprano Hyesang Park. Moldovan baritone Andrey Zhilikovsky sings Figaro, the cunning barber-surgeon who finds a way for Rosina to escape.
South African tenor and winner 2017 of a prestigious Operalia prize, Levy Sekgapane, makes his Glyndebourne debut as Rosina's suitor Count Almaviva – the eligible young aristocrat disguised as a poor student.
Soprano Hyesang Park, Glyndebourne's new Rosina, in recital
Il Barbiere di Siviglia is based on Beaumarchais' 1775 comedy Le Barbier de Séville, and the 1816 première of Rossini's opera (under a different title) at the Teatro Argentina in Rome went down as one of the great disasters in musical history. There were several on-stage accidents, in this fast-moving piece, and the musicians were at full stretch keeping up with the score. Furthermore, another rival composer's claque jeered as part of a battle between Rossini's production and one of his own works.
There will be no such problems at Glyndebourne this summer. With this starry lineup, the Glyndebourne Chorus, and the London Philharmonic Orchestra under conductor Rafael Payare, a sparkling evening is assured.
Packed with virtuoso arias and ensemble numbers, Il Barbiere contains one of the funniest scenes in all opera – the music lesson given by Almaviva in disguise, in which he woos Rosina under the nose of her suspicious guardian. And embracing the opera’s Commedia dell’arte origins, Arden’s production exudes Spanish colour and warmth.
'Il Barbiere di Siviglia' is sung in Italian with English surtitles. Public booking opens at 6PM, Sunday 3 March
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| What | Il Barbiere di Siviglia, Glyndebourne |
| Where | Glyndebourne, Lewes, East Sussex, BN8 5UU | MAP |
| Nearest tube | Victoria (underground) |
| When |
19 May 19 – 14 Jul 19, 15 performances; times vary. Running time 4hr 20min, with long dinner interval |
| Price | £15-£260 |
| Website | Click here for more information and booking |