Rusalka, Glyndebourne
How much do you give up for love? So much that you are no longer the beloved person? That is the dilemma for the water nymph in Dvorák's traditional tale
The watery underworld of Dvorak's Rusalka. Photo: Bill Cooper
The story may sound familar: a water spirit falls in love with a mortal, and sacrifices her beautiful voice in order to live on land with him. But now her main attraction is gone, and the affair turns sour.
Yet this is not Hans Christian Andersen's Little Mermaid, or even the very smart Disney film of that story; instead we are in Slavic folklore, and the sprite is a rusalka, although she will – literally – tread a similar path.
In Melly Still's powerful 2009 production for Glyndebourne Festival Opera, with stunning design by Rae Smith, Rusalka's two worlds – the water and the palace – are vividly created. One is alive with strange creatures; the other studded with vacuous humans.
Rusalka swaps her timeless world for fashionable society. Photo: Bill Cooper
When Rusalka opts for human existence, with all its perils, she is thwarted by the distraction of a foreign princess, who flirts with her prince. Rusalka has to decide her own fate, and his...
British soprano Sally Matthews sings Rusalka, with American tenor Evan LeRoy Johnson as the Prince, Russian bass Alexander Roslavetsas the water goblin Vodník, and Moscow-born soprano Zoya Tsererina as the Foreign Princess.
Robin Ticciati conducts the London Philharmonic Orchestra and stirring Glyndebourne Chorus. Listen out for the song to the Moon in Act One, often sung as a stand-alone aria.
Rusalka is a truly magical opera and this production is stylish and asks enduring questions about the long-term costs of impulsive acts.
Rusalka is sung in Czech with English surtitles. Booking opens 6PM, Sunday 3 March
Yet this is not Hans Christian Andersen's Little Mermaid, or even the very smart Disney film of that story; instead we are in Slavic folklore, and the sprite is a rusalka, although she will – literally – tread a similar path.
In Melly Still's powerful 2009 production for Glyndebourne Festival Opera, with stunning design by Rae Smith, Rusalka's two worlds – the water and the palace – are vividly created. One is alive with strange creatures; the other studded with vacuous humans.
Rusalka swaps her timeless world for fashionable society. Photo: Bill Cooper
When Rusalka opts for human existence, with all its perils, she is thwarted by the distraction of a foreign princess, who flirts with her prince. Rusalka has to decide her own fate, and his...
British soprano Sally Matthews sings Rusalka, with American tenor Evan LeRoy Johnson as the Prince, Russian bass Alexander Roslavetsas the water goblin Vodník, and Moscow-born soprano Zoya Tsererina as the Foreign Princess.
Robin Ticciati conducts the London Philharmonic Orchestra and stirring Glyndebourne Chorus. Listen out for the song to the Moon in Act One, often sung as a stand-alone aria.
Rusalka is a truly magical opera and this production is stylish and asks enduring questions about the long-term costs of impulsive acts.
Rusalka is sung in Czech with English surtitles. Booking opens 6PM, Sunday 3 March
TRY CULTURE WHISPER
Receive free tickets & insider tips to unlock the best of London — direct to your inbox
| What | Rusalka, Glyndebourne |
| Where | Glyndebourne, Lewes, East Sussex, BN8 5UU | MAP |
| Nearest tube | Victoria (underground) |
| When |
29 Jun 19 – 21 Aug 19, 11 performances; times vary |
| Price | £15-£230 |
| Website | Click here for more information and booking |